A Los Angeles Times Book Prize Finalist
“[A] masterwork of psychological fiction.… Messud teases readers with a psychological mystery, withholding information and then cannily parceling it out.” ―Chicago Tribune
Julia and Cassie have been friends since nursery school. They have shared everything, including their desire to escape the stifling limitations of their birthplace, the quiet town of Royston, Massachusetts. But as the two girls enter adolescence, their paths diverge and Cassie sets out on a journey that will put her life in danger and shatter her oldest friendship. The Burning Girl is a complex examination of the stories we tell ourselves about youth and friendship, and straddles, expertly, childhood’s imaginary worlds and painful adult reality―crafting a true, immediate portrait of female adolescence.
Claire Messud, one of our finest novelists, is as accomplished at weaving a compelling fictional world as she is at asking the big questions: To what extent can we know ourselves and others? What are the stories we create to comprehend our lives and relationships? Brilliantly mixing fable and coming-of-age tale, The Burning Girl gets to the heart of these matters in an absolutely irresistible way.
The Burning Girl was named one of the best books of the year by the Los Angeles Times, San Francisco Chronicle, Vogue, NPR, Financial Times, Town & Country, Kirkus Reviews, Publishers Weekly, Refinery29, and Literary Hub.
“The friendship of two girls, Julia and Cassie, animates this slim, dreamlike novel.… Messud plays, lightly, with familiar archetypes, deftly abstracting her tale so that it flares into myth.”
– The New Yorker
“[Messud] is an absolute master storyteller and bafflingly good writer.… It is that combination of imagination and skill that makes The Burning Girl exceptional.… It amplifies that subtle, piercing shift between Cassie and Julia, made brighter by passages of sheer splendorous prose.”
– Los Angeles Times
“Breathtaking.… With this novel, Messud brings her own particular brand of astuteness and emotional intelligence through her careful and thoughtful prose.”
– San Francisco Chronicle
“Messud is at her most incisive in exploring the volatile transition from childhood to adolescence.”
– Wall Street Journal
“[Messud] has specialized in creating unusual female characters with ferocious, imaginative inner lives… and quietly making a case for women’s interiority as a subject worthy of the most serious examination.”
– Ruth Franklin, New York Times Magazine
“Messud captures young adolescence vividly and unjudgmentally.… Messud is a storyteller: the ability to compel and hold the reader’s interest may not be the crown and summit of novel writing, but it’s the beginning and end of it.… [T]he story rewards the reader right through to the end.”
– Ursula K. Le Guin, Guardian
“Slim but impactful.… The Burning Girl asks how well we can ever know our closest confidants and answers its own question with every refined page.”
– Vanity Fair
“Claire Messud nails it… with The Burning Girl, a hypnotic coming-of-age novel about two small-town Massachusetts best friends, who grow up with strikingly different outcomes.”
“Messud is psychologically astute about her characters and about the competing social and familial pressures… that make adolescent friendship and its dissolution so fraught.”
– Boston Globe
“The kind of book more common in the middle of the twentieth century than it is today.… Like To Kill a Mockingbird and The Catcher in the Rye… The Burning Girl has a more sophisticated structure, in its unobtrusive handling of the relation between its narrative voice and Julia’s younger self, and its moral complexities seem greater too.”
– Michael Gorra, New York Review of Books
About the Author
Claire Messud is a recipient of Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters. The author of five other works of fiction including, most recently, The Burning Girl, she lives in Cambridge, Massachusetts, with her family.
Top customer reviews
Girls entering high school – one joining the cool girls, the other kind left behind.
Sounds familiar, no? But it isn’t.
The depression of the one girl skims the sterotypical, but makes new issues. For instance, the setpfather-like character abuses the girl, but not physically or sexually. The mother and the daughter have knock-down-drag-out fights. But, not like you see in the movies. There are guys. But, they aren’t knock-em up or rape conquesting idiots.
The remainder of the plot is okay, not stupendous. Maybe a three.
But, the writing is great. Really good. If placed upon a better topic, it would have been a 4.5 or 5 star rating. The swirling thoughts passing through the young woman’s head are great. The similes and metaphors are wonderful. The feel is unique. This is a writer who makes it all seem so natural.
This is a book for preteen or teenage girls. I am neither. But, I liked it.
A good gift for the young reader